Let’s face it, every musician wants to turn heads and maximize their creative expression with their sound. How do you achieve this in a way that doesn’t break the bank? Simple.
Distortion and saturation plugins!
Long story short, these plugins add frequencies in a certain way to make a track sound like it was recorded in a multimillion-dollar recording studio. In this article, you will learn about the best distortion and saturation plugins plus a few alternatives so you can take your music to the next level.
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From warm and clean saturation to chaotic and extreme distortion, FabFilter Saturn delivers on both ends of the spectrum and everything in-between to elevate your music. Saturn has a slew of modulation options. For example, you can choose from over 150 ready-to-go killer presets or you can configure your own custom presets. In addition, Saturn is very simple to use–just drag and drop for most of the software’s actions!
There are sixteen distortion styles ranging from soothing saturation to heavy guitar screams. The modulation options are essentially limitless. Saturn also gives you access to MIDI sources, XLFOs, XY controllers and envelope generators. Lastly, Saturn comes with fun features such as interactive hints, MIDI Learn, precision-tuned controls and much more. Overall, the FabFilter Saturn is a one-stop-shop for all distortion and saturation needs for any musician.
The Scream 4, which is a part of Reason 11 Intro, is a cost-effective solution for any musician looking for a versatile and high quality plugin. Not only is Scream 4 one of the best distortion plugins in its own right, but it comes bundled with an entire DAW, killer synths like Europa, and a ton of other effects and samples. If you want to know more about how to use Reason, this article will help you get started.
The Scream 4 features a three-band EQ section and a phenomenal sound destruction unit to use for digital bit crushing or adding warm analog. This affordable plugin also has ten different distortion types including fuzz, overdrive, tape, tube, feedback, scream, warp and more. The scream and overdrive settings will add bite and aggressiveness to your sound while tape and tube settings will create a warm and charming aura. You can tweak the damage section of the plugin with the P1 (resolution) and P2 (sample rate) knobs. There is also a Damage Control knob which directly affects the level of distortion applied to the audio. And it also includes the ability to modulate its key parameters via CV voltage. Overall, the Scream 4 plugin is an effect unit in a class of its own that can completely change the sound of a piece of music with a simple flick of a switch.
SoundToys’ Decapitator is the weapon of choice among top audio engineers. Analog saturation is a little-known secret to make average recordings sound amazing. The Decapitator ticks all the boxes of an amazing analog saturation emulator.
The plugin emulates the the dynamics of real vintage gear. It encompasses the whole spectrum of harmonics, so any musician can quickly and easily add layers of subtle harmonics, or if the situation calls for it, the musician can flick the ‘Punishment’ button and unleash a destructive attacking tone. The Decapitator features five different emulation modes and has a very simple, easy to use layout featuring the standard analog knobs. It also features a Wet/Dry knob to dial in just the right amount of saturation. Try just a touch of saturation to bring your bass to life in the mix, or smash the drum room mics for a huge, aggressive tone.
For those musicians just starting out or looking for a free saturation plugin to get a feel for the device, Softube’s Saturation Knob is hands down the best option. This free, simple software is available for download straight from SoftTube’s website.
It’s the perfect solution to fatten up a guitar or bass track, add smooth harmonics to vocals and much more. There are three saturation modes to choose from and it can work as a DAW insert. The tool features one simple knob to control the saturation level. The SoftTube saturation knob is a great addition to a musician’s DAW for absolutely no cost.
The absolute best tape saturation plugin on the market is the u-he Satin Tape Plugin. The world-class u-he team spent months of research and painstaking measurement to develop this plugin which magnificently captures the magic of magnetic tape machines. The Satin gives you access to a selection of emulations from all major historical developments in tape technology. All functions are available in one simple easy to use panel. Functions include all of the best features of tape including HF compression, transient-smoothing and saturation with full control over asperity noise, head-bump, wow and flutter, etc.
The Satin comes with extra effects such as 4-tap stereo delay and a flanger. If you haven’t experienced the magic of tape, u-he Satin will have you never looking back.
There’s no better way to mangle your tracks than with the iZotope Trash 2 distortion plugin. In fact, this distortion tool is a main weapon in the arsenals of famous bands including Nine Inch Nails and Korn.
Izotope Trash is equipped with tons of distortion algorithms, presets and impulse responses. It includes other sound mangling tools like dynamic control and a delay, and multiple filters. Plus it has a built in Wet/Dry knob.
Izotope Trash also gives you the ability to build your own distortions with the customizable multiband waveshaper. The impulse responses allow you the freedom of putting your track into any acoustical space you can think of. For example, you can put your bass in a tunnel or your snare drum in a cave! There’s 100 impulse responses to experiment from and you can customize your own. Overall, feel free to trash your other plugins and make way for Izotope Trash.
Don't feel like you can only run guitars through amp simulators and pedal plugins. These can be great creative tools for vocals, synths, basses, and more!
External plugins are not the only way to access distortion and saturation FX for your tracks. Many DAW’s including GarageBand and Logic Pro X have built-in distortion units free to use in most cases which are surprisingly adequate.
Also, many guitar pedal simulators have a similar effect. Guitarists don’t need hardware to get the sounds they love since they can download a piece of software to use their favorite fuzz and distortion pedals. For example, the BIAS Pedal gives you the ability to design your own pedal and access countless presets to experiment with.
Distortion in the most general sense are any frequencies that deviate from the original audio waveform. This means almost any audio process such as compression and equalization can be considered distortion.
However, when most people speak of distortion they usually mean the dirty and gritty overtones that are heard from a wailing electric guitar where there is a large amount of deviation from the natural waveform.
Saturation is a type of distortion that adds warmth to a tone by adding harmonics to a given track.
In short, distortion is angry saturation. Both saturation and distortion add frequencies to a waveform to alter its sound. However, distortion is generally when you add random frequencies to a waveform which gives it a ‘dirty’ sound. Saturation is a type of distortion. Saturation typically has harmonic relation to the original waveform or sound which results in a warm and soft sound.
Saturation is the addition of harmonic frequencies to a track giving it warmth. Tape saturation is a type of saturation which is another term for analog tape recording where the voltage level exceeds the tape’s ability to record it. Tape saturation recreates the sound that resulted when saturation was added to physical tape recordings prior to digital mixing. Many musicians believe digital production lacks the depth and presence of analog recordings, so tape saturation plugins aim to recreate this authentic analog sound.
Multiband processing splits a waveform into multiple frequencies such as lows, lower mids, highs, etc. and allows the musician to process each frequency individually. For example, a guitarist can record the full spectrum of the instrument from the low E string to the high E string and add distortion to each individual frequency. When these are combined together, it creates a magnificent sound that is rich and full.
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